A selection from the past 22 Years
Over the course of 22 years, my artistic journey has unfolded as a deep inquiry into the relationship between humanity and the natural world. Through Land Art, Nature Art, and Performance Art, I aim to break down the boundaries between different mediums, offering a multifaceted exploration of existence, nature, and time. My work is shaped by the landscapes that have held me, whether the forests of Transylvania, the cliffs of the UK, or the sun-drenched shores of Malta. Each piece represents a moment of engagement with the land, an act of ritual, and a call to reflect on the power of nature in shaping our lives and stories.
In the Beginning, it was the Stone
(Sfântu Gheorghe, Romania, 2002)
This work marked a pivotal moment in my artistic development and represents the foundation of my exploration of Land and Nature Art. "In the Beginning, it was the Stone" is a series of Happenings and Performance Art pieces that engaged directly with the natural environment. Set against the backdrop of the forests, rivers, and stone-covered landscapes of my native Transylvania, this body of work investigates the elemental and eternal qualities of stone as a symbol of endurance, stability, and the passage of time. The performances and installations created in this series were both personal and universal, reflecting on the timeless relationship between human existence and the earth that sustains us.
(Sfântu Gheorghe, Romania, 2002)
This work marked a pivotal moment in my artistic development and represents the foundation of my exploration of Land and Nature Art. "In the Beginning, it was the Stone" is a series of Happenings and Performance Art pieces that engaged directly with the natural environment. Set against the backdrop of the forests, rivers, and stone-covered landscapes of my native Transylvania, this body of work investigates the elemental and eternal qualities of stone as a symbol of endurance, stability, and the passage of time. The performances and installations created in this series were both personal and universal, reflecting on the timeless relationship between human existence and the earth that sustains us.
On the Field
(Sfântu Gheorghe, Romania, 2002)
"On the Field" takes the viewer into the open expanse of the Transylvanian countryside, where nature becomes a stage for contemplation and interaction. This installation drew upon my personal process of connecting with the land, both physically and spiritually, through the manipulation of natural materials found on-site. The process of working with the landscape, cutting into the earth, and arranging materials became a form of performance in itself. Through this piece, I invited viewers to witness the subtle interplay between nature and the artist's hand, creating a sense of balance and harmony between cultivation and wilderness, between the human desire to shape the land and the land's inherent resistance.
(Sfântu Gheorghe, Romania, 2002)
"On the Field" takes the viewer into the open expanse of the Transylvanian countryside, where nature becomes a stage for contemplation and interaction. This installation drew upon my personal process of connecting with the land, both physically and spiritually, through the manipulation of natural materials found on-site. The process of working with the landscape, cutting into the earth, and arranging materials became a form of performance in itself. Through this piece, I invited viewers to witness the subtle interplay between nature and the artist's hand, creating a sense of balance and harmony between cultivation and wilderness, between the human desire to shape the land and the land's inherent resistance.
The shaman
(Somewehere in Trasnylvania 2003-4 (?))
Embraced by animistic beliefs, within this work, I transcend the boundaries of conventional expression. Enveloped in the earth's embrace, my body becomes a canvas for the primal energies of mud and soil. As the village awakens to the unexpected spectacle, I move with deliberate grace, traversing the space between them for miles, each step a testament to the symbiotic relationship between humanity and the natural world.
Covered in mud, I embody the timeless wisdom of the earth, my presence a reminder of our interconnectedness with all living beings. This is not merely a performance; it is a communion with the primal forces that shape our existence, an invitation to rediscover the sacred within ourselves and the world around us.
Through this primal ritual, I invite the audience to confront their own perceptions of self and others, to embrace the fluidity of identity in a world where boundaries blur and distinctions dissolve. As I traverse the village, my silent presence speaks volumes, urging us to rekindle our reverence for the land that sustains us.
Embraced by animistic beliefs, within this work, I transcend the boundaries of conventional expression. Enveloped in the earth's embrace, my body becomes a canvas for the primal energies of mud and soil. As the village awakens to the unexpected spectacle, I move with deliberate grace, traversing the space between them for miles, each step a testament to the symbiotic relationship between humanity and the natural world.
Covered in mud, I embody the timeless wisdom of the earth, my presence a reminder of our interconnectedness with all living beings. This is not merely a performance; it is a communion with the primal forces that shape our existence, an invitation to rediscover the sacred within ourselves and the world around us.
Through this primal ritual, I invite the audience to confront their own perceptions of self and others, to embrace the fluidity of identity in a world where boundaries blur and distinctions dissolve. As I traverse the village, my silent presence speaks volumes, urging us to rekindle our reverence for the land that sustains us.
In the Woods
(Sfântu Gheorghe, Romania, 2003)
The dense forests of Covasna County served as both a canvas and a stage for the performances that make up "In the Woods." Here, I sought to immerse myself in the landscape, allowing the rhythms and textures of the forest to inform the movements and gestures of the performance. The works documented through photography and film captured a fleeting interaction between human and nature, where the boundaries between body and landscape blurred. By engaging with the trees, streams, and soil of the forest, I aimed to create a dialogue between the physical world and the inner landscape of emotion, memory, and experience. The performances were both a return to a primal state and an exploration of the ways in which the natural world shapes human consciousness.
(Sfântu Gheorghe, Romania, 2003)
The dense forests of Covasna County served as both a canvas and a stage for the performances that make up "In the Woods." Here, I sought to immerse myself in the landscape, allowing the rhythms and textures of the forest to inform the movements and gestures of the performance. The works documented through photography and film captured a fleeting interaction between human and nature, where the boundaries between body and landscape blurred. By engaging with the trees, streams, and soil of the forest, I aimed to create a dialogue between the physical world and the inner landscape of emotion, memory, and experience. The performances were both a return to a primal state and an exploration of the ways in which the natural world shapes human consciousness.
This is My Land
(Minimum Party Art Camp, Plăieșii de Sus, Romania, 2002)
"This is My Land" was a powerful reflection on ownership, territory, and identity, created in the rugged landscape of Transylvania. The piece took the form of a land art installation, where sharpened stakes were driven into the ground and fire was incorporated into the work. The ritualistic act of cutting into the earth and igniting fire was both an assertion of presence and a gesture of vulnerability, as the installation became a space of tension between control and surrender. The performance that followed transformed the installation into a stage for exploring themes of survival, belonging, and the human desire to claim space in a world that is ultimately wild and uncontrollable. The collaboration with Miquèu Montanaro added a sonic dimension to the work, further enhancing the sense of ritual and transformation.
(Minimum Party Art Camp, Plăieșii de Sus, Romania, 2002)
"This is My Land" was a powerful reflection on ownership, territory, and identity, created in the rugged landscape of Transylvania. The piece took the form of a land art installation, where sharpened stakes were driven into the ground and fire was incorporated into the work. The ritualistic act of cutting into the earth and igniting fire was both an assertion of presence and a gesture of vulnerability, as the installation became a space of tension between control and surrender. The performance that followed transformed the installation into a stage for exploring themes of survival, belonging, and the human desire to claim space in a world that is ultimately wild and uncontrollable. The collaboration with Miquèu Montanaro added a sonic dimension to the work, further enhancing the sense of ritual and transformation.
Stealing the Sun
(Bugibba, Malta, 2017)
"Stealing the Sun" was born out of a deeply personal struggle and draws inspiration from the Viking myth of Sól, the sun goddess who is perpetually pursued across the sky by wolves. This land art piece, created in the coastal landscape of Malta, reflects my own journey of navigating darkness and light, hope and despair. The myth served as a powerful metaphor for my experience of moving to Malta, a decision that, in hindsight, felt like a mistake. The work is a meditation on the loss of direction and the attempt to reclaim one's path. The physical landscape of Malta, with its harsh light and dry earth, became a representation of both isolation and resilience.
(Bugibba, Malta, 2017)
"Stealing the Sun" was born out of a deeply personal struggle and draws inspiration from the Viking myth of Sól, the sun goddess who is perpetually pursued across the sky by wolves. This land art piece, created in the coastal landscape of Malta, reflects my own journey of navigating darkness and light, hope and despair. The myth served as a powerful metaphor for my experience of moving to Malta, a decision that, in hindsight, felt like a mistake. The work is a meditation on the loss of direction and the attempt to reclaim one's path. The physical landscape of Malta, with its harsh light and dry earth, became a representation of both isolation and resilience.
Medit Action
(UK/RO/HU, 2002–2024)
"Medit Action" is an ongoing, evolving performance project that spans over two decades and crosses multiple landscapes. It merges meditation, a practice of stillness and reflection, with the dynamic forces of nature, creating a space where inner and outer worlds meet. This project has taken place in various locations, from the wild cliffs of Selwicks Bay in the UK to the forests and fields of Romania and Hungary. Each performance is an act of listening to the landscape, allowing the environment to guide the movement, breath, and action. The work speaks to the cyclical nature of life and the ever-present flux of the natural world, encouraging viewers to find stillness in the midst of constant change. Through "Medit Action," I explore the tension between permanence and impermanence, using the body and the landscape as tools for meditation and transformation.
(UK/RO/HU, 2002–2024)
"Medit Action" is an ongoing, evolving performance project that spans over two decades and crosses multiple landscapes. It merges meditation, a practice of stillness and reflection, with the dynamic forces of nature, creating a space where inner and outer worlds meet. This project has taken place in various locations, from the wild cliffs of Selwicks Bay in the UK to the forests and fields of Romania and Hungary. Each performance is an act of listening to the landscape, allowing the environment to guide the movement, breath, and action. The work speaks to the cyclical nature of life and the ever-present flux of the natural world, encouraging viewers to find stillness in the midst of constant change. Through "Medit Action," I explore the tension between permanence and impermanence, using the body and the landscape as tools for meditation and transformation.
Drummer and Dancer
(Délegyhaza, Hungary, 2013)
Set within the context of the vibrant 10th Jubilee Drum Festival in Délegyhaza, Hungary, "Drummer and Dancer" is a celebration of rhythm, movement, and communal creativity. This piece involved leading a painting workshop that encouraged participants to engage with the natural environment while simultaneously creating a land art installation. The rhythmic beating of drums and the dance-like movements of the participants became an integral part of the artistic process, transforming the landscape into a living, breathing artwork. The land art installation that emerged from this event reflects the energy and vitality of the festival, capturing the flow of creative energy between individuals and the environment. Through this work, I explored the ways in which art can bring people together, creating a shared experience of connection to the land and to each other.
(Délegyhaza, Hungary, 2013)
Set within the context of the vibrant 10th Jubilee Drum Festival in Délegyhaza, Hungary, "Drummer and Dancer" is a celebration of rhythm, movement, and communal creativity. This piece involved leading a painting workshop that encouraged participants to engage with the natural environment while simultaneously creating a land art installation. The rhythmic beating of drums and the dance-like movements of the participants became an integral part of the artistic process, transforming the landscape into a living, breathing artwork. The land art installation that emerged from this event reflects the energy and vitality of the festival, capturing the flow of creative energy between individuals and the environment. Through this work, I explored the ways in which art can bring people together, creating a shared experience of connection to the land and to each other.
Samsara
(Devil’s Pulpit, Scotland, UK, 2024)
"Samsara" is a land and performance art piece that delves into the concept of the eternal cycle of life, death, and rebirth. Set in the dramatic gorge of Devil’s Pulpit in Scotland, the installation uses natural materials such as stones, branches, and leaves to create a labyrinthine structure that symbolizes the cyclical nature of existence. The performance within the installation mirrors this cycle, with movements that reflect the ebb and flow of life’s journey. The piece is both a meditation on the impermanence of life and a celebration of the continuous renewal that nature offers. By placing the work in such a raw and untamed landscape, I sought to evoke a sense of awe and reverence for the forces that shape our world and our lives, encouraging viewers to reflect on their place within the larger cosmic cycle.
(Devil’s Pulpit, Scotland, UK, 2024)
"Samsara" is a land and performance art piece that delves into the concept of the eternal cycle of life, death, and rebirth. Set in the dramatic gorge of Devil’s Pulpit in Scotland, the installation uses natural materials such as stones, branches, and leaves to create a labyrinthine structure that symbolizes the cyclical nature of existence. The performance within the installation mirrors this cycle, with movements that reflect the ebb and flow of life’s journey. The piece is both a meditation on the impermanence of life and a celebration of the continuous renewal that nature offers. By placing the work in such a raw and untamed landscape, I sought to evoke a sense of awe and reverence for the forces that shape our world and our lives, encouraging viewers to reflect on their place within the larger cosmic cycle.
Essence II
(European Land Art Festival, Dunbar, Scotland, UK, 2023)
"Essence II" is a minimalist exploration of form and material, building upon an earlier work created for the Nature Art Cube exhibition in South Korea. The piece takes the form of a 120 cm cube, constructed from natural materials sourced from the landscape around Dunbar, UK. The cube represents a balance between structure and chaos, order and the organic flow of nature. The rigid geometry of the cube contrasts with the irregular textures and forms of the materials, creating a visual tension that invites contemplation. "Essence II" is a meditation on containment and release, capturing the essence of nature’s beauty within a defined space while simultaneously allowing it to breathe and evolve. The work asks viewers to consider the boundaries we impose on the natural world and the ways in which nature resists and transcends those boundaries.
(European Land Art Festival, Dunbar, Scotland, UK, 2023)
"Essence II" is a minimalist exploration of form and material, building upon an earlier work created for the Nature Art Cube exhibition in South Korea. The piece takes the form of a 120 cm cube, constructed from natural materials sourced from the landscape around Dunbar, UK. The cube represents a balance between structure and chaos, order and the organic flow of nature. The rigid geometry of the cube contrasts with the irregular textures and forms of the materials, creating a visual tension that invites contemplation. "Essence II" is a meditation on containment and release, capturing the essence of nature’s beauty within a defined space while simultaneously allowing it to breathe and evolve. The work asks viewers to consider the boundaries we impose on the natural world and the ways in which nature resists and transcends those boundaries.
The Fruit
(Alexandra Park, Glasgow, Scotland, UK, 2024)
"The Fruit" is the first piece in a broader project titled "New Life," which explores themes of renewal, resilience, and transformation. Set in Alexandra Park in Glasgow, this land art installation reflects on the cycles of life and the potential for growth even in the face of adversity. The piece is a metaphor for the fruit of labour, both literal and symbolic, as it captures the moment of emergence, the delicate yet powerful transition from struggle to strength. Through the use of natural materials and the integration of the surrounding landscape, "The Fruit" invites viewers to contemplate the fragility and beauty of life’s regenerative processes. This work celebrates the human spirit’s ability to endure and create new beginnings, offering a quiet reflection on the transformative power of nature and the resilience that lies within us all.
(Alexandra Park, Glasgow, Scotland, UK, 2024)
"The Fruit" is the first piece in a broader project titled "New Life," which explores themes of renewal, resilience, and transformation. Set in Alexandra Park in Glasgow, this land art installation reflects on the cycles of life and the potential for growth even in the face of adversity. The piece is a metaphor for the fruit of labour, both literal and symbolic, as it captures the moment of emergence, the delicate yet powerful transition from struggle to strength. Through the use of natural materials and the integration of the surrounding landscape, "The Fruit" invites viewers to contemplate the fragility and beauty of life’s regenerative processes. This work celebrates the human spirit’s ability to endure and create new beginnings, offering a quiet reflection on the transformative power of nature and the resilience that lies within us all.
Each of these works’ forms part of a continuous conversation between nature and human existence. They explore the intricate and dynamic relationship between land, performance, and identity, offering viewers a space to reflect on their connection to the natural world. Through these pieces, I aim to transcend the boundaries of form and medium, inviting an immersive engagement with the elemental forces that shape our lives and landscapes.